From Latest News

Amazing Race shoots with Godzone Pictures again – in Canterbury, South Island this time

Aerial-riverReturning to Canterbury after the tragic earthquake in Christchurch was a great opportunity to showcase and celebrate this beautiful and resilient area and people!  Being as it was Phil Koeghans home stomping grounds didn’t hurt either and we made a great, fast paced and lively show with the help of all the local support we received from Tourism NZ, Canterbury Tourism and a myriad of local participants and suppliers.

Russian Snark picks up top award at Brussels International Film Festival

38th International Festival of Independent Film in Brussels
AWARDS 2011    

Award of the International Competition   

GRAND PRIZE – BEST OF THE FESTIVAL

Assigned  RUSSIAN SNARK –  New Zealand

Director: Stephen Sinclair

AWARD FOR BEST ACHIEVEMENT

Attributed to  Matariki  – New Zealand

Director: Michael Bennet M 

SPECIAL JURY AWARD

Attributed to  ON BOARD  – Morocco

Director: Leila Kilani

BEST ACTOR

Assigned  to Iaheto Ah Hi tyrone fr lr ROLR  in the film Matariki – New Zealand

Director: Michael Bennett

AWARD FOR BEST ACTRESS 

Attributed to  Soufia ISSAM  in the film THE BOARD – Morocco

Director: Leila Kilani

BEST SCENARIO

Attributed to   HAYDER BRE  – Turkey 

Director: Orhan Oguz

TODAY’S FILM AWARD

Assigned to  18 DAYS  – Egypt

Directors:  Ahmad Abdullah,  Mariam Abou Ouf ,  Kamla Abu Zikri ,Alaa Ahmed ,  Ali Mohamed ,  Sheriff Arafa ,  Sheriff El Bendary , Marwan Hamed ,  Khaled Marei  and  Yousry Nasrallah
BEST SHORT FILM

Awarded to  Raju –  India Germany

Director: Max Zahle

PRICE “Emile Cantillon” – CINEMA OF TOMORROW AWARD 

Attributed to   BUSONG –  Philippines

Director: Auraeus Solito

Celeste Wong , actress in the film  My Wedding and Other Secrets (New Zealand) received the honors of the jury and will be responsible for the prizes to filmmakers from New Zealand.

Price of the National Competition

GRAND PRIZE – BEST OF THE COMPETITION 

Attributed to  BADPAKJE  of Wannes Destoop

AWARD FOR BEST ACHIEVEMENT – PRICE MICHAEL LOMBET 

Assigned to  CALL  Cecile Mavet

BEST SHORT FILM

Price of the “Belgian Artistic Promotion” of SABAM 

Attributed to  RAFI ( cut) of   Sandra Fassio

SPECIAL JURY AWARD

Attributed to  NEW EARTH  Bernard Lists

PRICES OF AUTHORS SACD 

The price of the authors of the SACD is awarded to authors of a film (s) Writer (s) and the director. It rewards an original author – creating a personal world, developing a particular style, form in line with the visual context, exploration of new forms of narration, promotion of the experiment.

Awarded to  BAD MOON  Meryl Fortunat-Rossi and Xavier Seron

 

BEST ANIMATED FILM

Assigned to  EYE OF THE HEAD  of Jerome and Pierre Cauwe Musket

 

BEST SCENARIO 

Attributed to  FANCY FAIR  François Vergani

Special Price Competition “Creation Filmed Deaf”

 

GRAND PRIZE – BEST OF THE COMPETITION

 

Assigned STREET  
AWARD FOR BEST ACHIEVEMENT  

Assigned to all the achievements of Julien Bourget – France

www.centremultimedia.org / fifi

37 Degrees South Breakthrough Screening for Russian Snark in Melbourne

NZ-Producers-LizDiFiore-CatherineFitzgerald-PaulSwadel_LeanneSaunders-at-37-Degrees-South-in-Melbourne.pg_We were invited as a late entry into the prestigious 37 Degrees South Film Market in Melbourne! Screening Russian Snark as an official Market Screening was a great honor and we got a lot of great feedback as a result. Very exciting – Held over several days in tandem with the Melbourne Film Festival, this was a wonderful opportunity to screen our film to overseas sales agents and distributers and to explore new relationships.  Thanks everyone for making this possible!

Russian Snark was selected to be one of 7 films screening at the Break Through Screenings, which run in conjunction with the Melbourne International Film Festival to potential sales agents and distributers who come from all over the world specifically to acquire projects and contacts for  projects coming out of Australia and New Zealand. It was a unique opportunity for our film to be showcased to these potential new international partners, and I felt that I got a great overview of the current state of play in the market.  It was however interesting that there were still quite traditional methods being explored despite the day and date and preponderance in practice today.   It was clear that these were challenging times; with new systems in development abut not confirmed as being the final outcome of the currently state of play.

I felt I developed a number of better relationships with my time spent with the local NZ market, the other NZ producers and the NZFC bas we had the opportunity to spend time together, as well as a number of Australian producers who might be potential partners in the future as well as the Canadian co=production practitioners who were interested in re kindling what had been a common transpacific relationship with historic coproduction partnerships with NZ and Canada.  Additionally, I will be following up with all the international contacts to continue the relationships and to ensure that when we meet next we will have something to further our connection with.

The success of the market specifically for me was in the first instance getting the opportunity to go and forget some international links for the first time, and I am very grateful to the NZFC for making this possible.   Additionally in more concrete terms the leads I am now following for Russian Snark and the other projects would not have been passible with this attending this market and getting a chance to cut though and meet face to face is invaluable.

Bill Gosden from the NZ International Film Festival reviews Russian Snark for the catalogue

Stephen Sinclair’s directorial debut was inspired by the true story of a Russian couple who floated to New Zealand in a converted lifeboat. Screenwriter Stephen Sinclair turns writer/director with this bittersweet comedy about two refugee artists from Russia getting to grips with life in the South Pacific. The unworldly Misha and his vivacious wife Nadia leave their homeland in search of peace of mind and aesthetic freedom, landing like hopeful aliens in contemporary Auckland. Misha heads to the beach and immerses himself in experimental filmmaking, framing luminous B&W images of naked bodies on rocky foreshores. Nadia adjusts to her shiny new environment more pragmatically, but life as Mishas muse, model and breadwinner takes its toll. Stephen Papps (speaking Russian!) charms and vexes as the soulful man-child, while Elena Stejko brings a glowing blonde vitality to her every scene. Stephanie Tauevihi provides a sweet taste of Kiwi, as the unhappily separated PI neighbour who reaches out to Misha at his most forlorn, and brings him gently back to earth.